They are seen as "cultural artifacts created by specific cultures that reflect those cultures" (Wikipedia, 2007) Talking about the connection film-art, Tarkovski states the following: "Each of the arts has its own poetic meaning and cinema is no exception. It has its particular role, its own destiny – it came into being in order to express a specific area of life, the meaning of which up till then had not found expression in any existing art form." (1989, p.82) We understand from all these acceptations of film and its relationship with the idea of art that film in general is a form of art.

Jean -Pierre Jeunet’s movie, Le Fabuleux Destin d’Amelie Poulain, illustrates eloquently this idea. The movie concentrates on a small but very significant fragment from the life of a French young woman, Amelie Poulain. Her life up to the moment shown as present by the film is sketched in a few words and images. She was brought up in a family that could be described as a little bit weird. If we think about it, we all have our strange habits, likes or dislikes. But Amelie’s parents seem to have more than what we may call regular eccentricities. And Amelie herself is not the common type of woman. She is different: she dresses in an uncommon manner and she acts in an uncommon way, especially when it comes to socializing. She barely interacts with others and she prefers to spend time in her own world.
And this is what changes throughout the movie, as the action progresses. She eventually succeeds in establishing a connection, as she meets the young Nino, with whom she falls in love. But like everything in Amelie’s life, her way of making Nino notice her is not a common one. …
But like everything in Amelie’s life, her way of making Nino notice her is not a common one. The mystery she creates, the clues that she leaves for him and that he has to understand and follow are both amusing and appealing. Their romanticism is so special that you feel irremediably in love with the movie. Although she loves him and she made steps in trying to connect with him, when the moment comes and he arrives at the caf where she works to meet her, as she had indicated to him, Amelie cannot react and when he asks her whether she is the girl he is looking for, she denies it. Amusing and at the same time interesting are the assumptions Amelie pessimistically makes when Nino seems not to come. She imagines all sorts of strange scenarios, events that could have prevented him from arriving.
Circumstances lead to the meeting of Gina, Amelie’s colleague, with Nino. Although they only meet to talk about Amelie, she misunderstands the situation and becomes contagiously sad. Audrey Tautou plays her part so well that at the end of the movie, when, while she is making a cake and imagines how her life would be with Nino, she starts to cry, we feel moved too. Fortunately, the ending is a happy one. Nino comes to her door and they express the feelings they have for each other in a really special way. They don’t use language, only gesture. And thus, Amelie finally manages to connect to people. The fact that the development of the action brings about a change is one of the elements that relates the movie to a literature. In a novel, or a drama the character undergoes a change from its beginning to its end, so that the final scene brings about a character different from that we saw when we began reading.
Although inspired