Johanne strauss (younger)

On noticing that the Younger was learning how to play a violin, the father whipped the young boy ostensibly to remove the music out of him. Later, his father abandoned the family for another woman giving him the chance to develop his talent as a composer.
With the help of his mother, Strauss II studied counterpoint and harmony under the tutelage of Professor Joachim Hoffmann. He exercised harmony under the direction of Joseph Drechsler, a composer. In 1844, Strauss II composed the gradiuale, Tu qui regis totum orbem (Gartenberg, 1972). During his training, his teachers wrote positive testimonials of the young Strauss, including Anton Kollmann. With the skills he had learnt and the testimonials he had received from his very able teachers, the Younger applied for a licence to perform from the authorities in Vienna. His first team of band men were drawn from the Zur Stadt Belgrad tavern – an easy target for aspiring musicians seeking work.
Owing to his father’s influence in the local entertainment industry in Vienna, many people were reluctant to offer the Younger a chance to perform at their venues, knowing that the older Strauss was against his son’s pursuit of a carrier in music. The Younger luckily managed to convince the Dommayers Casino in Hietzing to allow his show his talent some time in 1844 (Gartenberg, 1972). This move so angered the older Strauss that he vowed never again to perform in the casino. At the casino, the Younger played his first compositions including Gunstwerber, Op.&nbsp.4, and Herzenslust, Op.&nbsp.3 (Gänzl 2001). The public was awed by the Young’s performance even as critics and the media poured praise upon his head.
Although beginning a career in music proved difficult at first, the Younger Strauss charted the murky waters to become a great success. He accepted commissions to perform at entertainment joints away from where he