The essay "Warhol – Contemporary Notion on Authenticity and Authorship" examines the contemporary notion of the authenticity and authorship and the figure of Andy Warhol. The comment draws the attention of the masses that they do not have to go to their screens to watch Andy Warhol. This is because whatever they saw was the real and famous Pop artist. Through this comment, he identifies himself with his era and culture suggesting that nothing is perfect. Warhol is very much interested in the surface of things and not their deeper attributes. This is a depiction that words have no meaning and the appearance of something is enough to give all the necessary information about it. Therefore, Andy Warhol alludes that there is instant disclosure of information about something when one considers the superficial qualities. There is a lot of reasoning in this statement. To start with, Andy Warhol refutation of depth is a criticism against the rich and legacy of novelty. This comment can also be a tool of defence of Warhol that elicits interests of the audience to differentiate what is genuine from the unreal. Andy Warhol’s pieces of art flourished in television and screens. He was a legend in filmmaking and paintings. Through his mastery of art, Warhol could paint different items from shops and supermarkets. Warhol used silkscreen techniques to produce duplicate images of the items. Some of the famous paintings comprised of Marilyn and Campbell Soup which demonstrate well application of artistic prowess.